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Bela Bartok: An Analysis of His Music, by Erno Lendvai
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'The publication of this study of the music of Bela Bartok is an important event. Many descriptive analyses of particular works of his have appeared, but here for the first time is an authoritative and convincing exposition of the theoretical principles which the composer worked out for himself but refrained, as far as is known, from expounding it to anyone during his lifetime. Erno Lendvai has disclosed the fact that Bela Bartok, in his early thirties, evolved for himself a method of integrating all the elements of music; the scales, the chordal structure with the melodic motifs appropriate to them, together with the proportions of length as between movements in a whole work, main divisions within a movement such as exposition, development and recapitulation and even balancing phrases within sections of movements, according to one single basic principle.' Alan Bush
- Sales Rank: #1057076 in Books
- Published on: 2005-08-01
- Original language: Hungarian
- Number of items: 1
- Dimensions: 8.50" h x .35" w x 5.50" l, .40 pounds
- Binding: Paperback
- 128 pages
Review
'Erno Lendvai is a Bartok specialist of the highest order...a theorist of genius.' Tempo; 'Essential reading for any composition student.' Composer; 'His analysis of the Sonata for Two Pianos and Percussion is remarkable.' The Listener
About the Author
Erno Lendvai was born in 1925 in Kaposvar, Hungary and died suddenly in Budapest in 1993. From 1949-56 he was director of the Szombathely, Gyor Conservatoire, and professor at the Music Academy in Budapest. From 1960-65 he was musical director of Hungarian Radio and Television. He became one of the most important Hungarian music theoreticians in the twentieth century. He became known worldwide through his detailed research into the internal structure of Bartok's music, a study that he started shortly after the composer's death.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Excellent book
By Dante S. Anzolini
Great book. Excellent analysis. Interesting ideas. Fundamental reading for anybody interested in Bartok.
0 of 0 people found the following review helpful.
One Star
By Amazon Customer
Nonsense.
17 of 17 people found the following review helpful.
Fundaments of post-romantic music
By B. P. DANIEL
I have been a lifelong student of composition, and this book opened up a whole new realm of musical thought for me. There are brilliant observations regarding chromatic tonality, atonality, and structure that (although they are presented largely in the context of an analysis of Bartok's music) shed light on the development and future of modern music in general.
The book serves also as a fitting tribute to Bartok, a genius who all too often is written off as merely the modern adaptor of Hungarian folk-song. In this book the author demonstrates how the folk-song interest, and other fundamental Bartok building blocks, have a deep basis in the fundaments of life and the world.
If you've known Bartok's music speaks to you in ways you can't explain or understand, or if you just want to wrap your head around one of the most important contributions to the development of music in the modern era, then this book is for you.
I hope this review is more helpful than the one below, which seems to be more of a jumble of random thoughts, most of which appear to be associated with some other, more biographical work.
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