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Flight, by Sherman Alexie, Read by Adam Beach
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Flight is the hilarious and tragic story of an orphaned Indian boy who travels back and forth through time in a charged search for his true identity. With powerful, swift prose, Flight follows the troubled teenager as he learns that violence is not the answer.
The journey begins as he's about to commit a massive act of violence. At the moment of decision, he finds himself shot back through time to awaken in the body of an FBI agent during the civil rights era. It's only the first stop. He continues through time to inhabit the body of an Indian child during the battle at Little Bighorn and then rides with an 1800s Indian tracker before materializing as an airline pilot jetting through the skies today. During these furious travels, his refrain is: "Who's to judge?" and "I don't understand humans." When he returns to his own life, he is transformed by all he's seen.
- Sales Rank: #1868919 in Books
- Published on: 2007-11-01
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .55" w x 6.41" l, .21 pounds
- Running time: 16200 seconds
- Binding: MP3 CD
- 1 pages
From Publishers Weekly
A deadpan "Call Me Zits" opens the first novel in 10 years from Alexie (Smoke Signals, etc.), narrated by a self-described "time-traveling mass murderer" whose name and deeds unravel as this captivating bildungsroman progresses. Half-Indian, half-Irish, acne-beset Zits is 15: he never knew his alcoholic father; his mother died when he was six; his aunt kicked him out when he was 10 (after he set her sleeping boyfriend on fire because the boyfriend had been forcing Zits to have sex). Running away from his 20th foster home, Zits ends up, briefly, in jail; soon after, he enters a bank, shoots several people and is shot dead himself. Zits then commences time-traveling via the bodies of others, finding himself variously lodged in an FBI agent in the '70s (helping to assassinate radical Indian activists); a mute Indian boy at the Battle of Little Big Horn; an Indian tracker named Gus; an airplane pilot instructor (one of whose pupils commits a terrorist act); and his own father. Zits eventually comes back to himself and to an unexpected redemption. While the plot is wisp-thin, one quickly surrenders to Zits's voice, which elegantly mixes free-floating young adult cynicism with a charged, idiosyncratic view of American history. Alexie plunges the book into bracing depths. (Apr.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
His first novel in over a decade, Sherman Alexie's Flight winds themes of alienation, revenge, and forgiveness through its narrator's time-traveling adventures. Critics were impressed with the clever Zits: his thoughts and actions are both humorous and painfully genuine, the essence of troubled adolescence. However, reviewers complained about the lack of depth, of fully developed secondary characters, and of historical detail. Many critics also noted that the plot's swift pace and tidy ending were more appropriate for juvenile fiction. The New York Times, on the other hand, considered these elements part of the novel's charm. Though Alexie's latest effort may disappoint some readers, many will still find snatches of his trademark humor and moving prose.
Copyright � 2004 Phillips & Nelson Media, Inc.
From Booklist
It's tough enough to be an orphan and a ward of the state, let alone a so-called half-breed. Heck, being 15 years old is no freaking picnic, especially if your face is so badly marred by acne your nickname is Zits. Add to that a devastating history of abuse, and no wonder Zits, a gun in each hand, is about to exact revenge on strangers in a bank. Has Alexie, a high-profile writer known for provocative, inventive, in-your-face fiction about Native American life, written a classic troubled youth-turned-killer tale? Of course not. This is a time-travel fable about the legacy of prejudice and pain. Zits is inexplicably catapulted back to 1975, where he inhabits the body of a white FBI agent confronting radical Indian activists, the first episode in an out-of-body odyssey. Smart, funny, and resilient, Zits is profoundly transformed, as the hero in a tale of ordeals is supposed to be, by his shape-shifting experiences as an Indian boy at Little Big Horn, an Indian tracker, a homeless Indian drunk, and a pilot in unnerving proximity to a Muslim terrorist. Alexie's concentrated and mesmerizing novel of instructive confrontations is structured around provocative variations on the meanings and implications of flight as it asserts that people of all backgrounds are equally capable of good and evil. Donna Seaman
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
An exploration of issues faced by children of Indian descent in foster care, and a plea on their behalf
By E. Glenn Anaiscourt
One of the things I like about Sherman Alexie is how little he seems to care what anyone else thinks about what he is doing. He just does it. So "Flight" comes across to me as honest. I find honesty to be one of Alexie’s most appealing qualities as a writer.
“Flight” is an exploration of how to grapple with and respond to oppression. One option is through violence: Alexie’s central character Michael, a.k.a. Zits, is a troubled teen driven out of desperation to the point of committing an atrocity. In the name of “justice,” which is both personified as a human character and symbolized in the form of firearms, Michael is prepared to commit a mass shooting of numerous, mostly Euro-American people who happen to be present when he goes to rob a bank.
Michael is prevented from completing this violent act through a divine intervention which sends him traveling through time and across different personalities so that he can better understand who and where he is. In the course of his Flight, Michael considers his act within the context of such historical events as the Battle of the Little Bighorn, 9-11 and similar terrorist acts, and Ghost Dances performed by Indians who hoped to make Euro-Americans disappear entirely and forever.
Michael remarks that Crazy Horse, “the greatest warrior in Sioux history[,] is a half-breed mystery” and concludes that a successful Ghost Dance would destroy not just Euro-America, but him along with it since he is the product of an intermarriage between an Indian and a Euro-American. Alexie frames the question of whether and how to exercise individual power over the lives and deaths of other people – not just in reality, but also in the imagination – in terms of whether Michael should be willing to kill a random Euro-American if it means he can have his deceased mother back. She was, incidentally, of Irish descent.
Through his Flight, Michael is able to transcend himself and thus ultimately concludes that the violent choice would constitute an act of treason against humanity, and against his own sense of humanity. This conclusion is valuable to him not so much as an Indian person or as a complete and permanent solution to his personal problems, but as a young man in trouble who needs to acquire powerful psychological weapons to combat the effects of the negative, self-indulgent, and insensitive authority figures who traumatized him in his early life.
Some of the people whom Michael inhabits during his Flight seem so different from him initially as to be anathema and impossible to connect to his own perspective. First, for example, he is forced to confront ugliness, irony, confusion, hypocrisy, and social complexity head-on in the shoes of a white FBI agent dealing with Indians who secretly collaborated with the agency on a reservation in the 1970s. Michael questions whether he can legitimately challenge the atrocities against Indians of the FBI agent whom he inhabits if he himself was willing to shoot random bystanders during a bank robbery. Believing he has already committed the mass shooting and after spending some time living from the agent’s perspective, Michael decides he is no better than the FBI agent.
Michael later finds himself incarnated as a boy at home with his family in an intact Indian community at the site of the impending Battle of the Little Big Horn. As the boy, Michael is voiceless because a white soldier cut his throat on a prior occasion. As Custer’s Last Stand unfolds according to historical fact rather than familiar legend, Michael contemplates revenge, cycles of violence, and their consequences.
He then finds himself in the form of a 19th century Irish soldier (an ancestor on his mother’s side?) at the scene of an U.S. Army massacre of an Indian community. As this nightmare unfolds, Michael is struck by the act of a white U.S. “traitor” who deserts to try to save an Indian boy from the slaughter even though this act will likely prove futile and suicidal. In contemplation of betrayal, which is an overarching theme of the book, Alexie conveys the message that the real traitors at the site of the massacre are not deserters, but soldiers who comply. Acts of violence perpetrated against other people constitute a form of treason. Those few who see reality for what it is at the time events unfold and who choose to stand on the side of real justice do not enjoy glory. They are martyred unceremoniously, but preserve their humanity as they make their own, anonymous "last stands."
Michael’s Indian father is a mystery to him because he disappeared soon after Michael was born. Michael’s Irish-American mother cherished him until she passed away while Michael was still very young. As an orphan of mixed heritage, Michael was subsequently neglected, abused, and then abandoned by his Euro-American relatives, and wound up in the foster care system. The father Michael never knew embodies the confusion and complexity in his family background.
In Michael's final incarnation during the Flight and before he returns to himself, he steps into his father’s shoes and comes to understand some of the reasons that he abandoned his wife and baby son. Understanding his father better helps Michael begin to move past anger, resentment, confusion, and insecurity, and to possibly embrace a more loving life in a healthy and positive environment with the “almost real family,” as he calls it, into which he is finally placed.
Flight is an exploration of issues faced by children of Indian descent in foster care, and a plea on their behalf.
0 of 0 people found the following review helpful.
A boy named Zits visits the lives of others...
By Michelle Boyer
This is a wonderful example of contemporary urban young adult American Indian fiction --it crosses a lot of categories! I absolutely love the way that Alexie is able to weave in several examples of historical trauma throughout, thus showing the plight of the urban Indian today. There is a lot of material here, even though you could read this book in one sitting if you want (I did). There are some dark undertones here and not everyone has a happy ending. But this is an engaging novel that will get you thinking. I highly recommend it to those like like Alexie, are interested in contemporary Indian issues, and to pretty much everyone. It is worth a try to read this.
If you want some information about the plot: This is the story of a boy named Zits. He does not know his Native father (and thus has trouble connecting to his Native identity) and his mother dies when he is young, so he finds himself in many foster homes. Not all of these foster families have been kind to him. He becomes a bit of a juvenile delinquent and experiments with drugs and alcohol. When he decides to react violently, fate has another plan for him, and he ends up traveling back an forth in time to visit significant instances in American Indian history. Other instances are not Native-specific (one revolves around the aftermath of 9/11). When he returns to his body, he must decide if he wants to change his life for the better, or continue down the same road. I was pleased with the outcome.
2 of 2 people found the following review helpful.
Flight Review
By Colleen Kennelly
Overall, Flight was a good book. The setting of the book is in 2007 Seattle, Washington. Zits a troubled teen whose lost his mother to breast cancer and whose father ran out on him very young. After having another run in with the police, Zits meets a kid named Justice in "kid jail". Zits and Justice have a very deep conversation about life and learn to "love" each other. When released Zits decides to meet up with Justice so they can become closer friends. Little does Zits know that Justice will persuade Zits to shoot down a bank. So, because of Justice's persuasion, Zits goes into a bank and shoots it down killing many people; including himself. When Zits wakes up he find himself in a different body. This happens 6 times as he goes through 6 different characters. He becomes an FBI agent gone bad, a cavalry soldier, a cheating husband, his runaway father, a little Native American boy under U.S army attack, and obviously, himself. When Zits wakes up from his "dream" he realizes he is in the bank with no one dead. After leaving the bank, Zits goes to turn himself in because he had the idea of shooting the bank down. Finally, after later being declared no longer a threat to society Zits gets put in a foster family with his parole officer's brother. He quickly grows to love them and earns his real name back, Michael.
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